As webtoons continue to dominate digital platforms, more publishers and content studios are exploring how to bring these stories to print. But the transition from vertical scroll to traditional book format is anything but straightforward. At Printoonize, we specialize in webtoon-to-print layout conversion, providing high-quality, print-ready PDF files tailored for publishers and studios who want to produce printed manhwas or manga volumes from digital-first content. đ§ Printoonization: What It Means and Why It Matters Webtoons are designed to be scrolled, not flipped. Their structure is fluid, uninterrupted, and optimized for mobile reading. This format, while ideal for apps, presents major challenges when adapted to print: No standard page breaks Irregular panel arrangements Non-linear visual rhythm Printoonization is the craft of converting that scroll into a fully functional print layout. Itâs not automation. Itâs not about resizing images. Itâs a professional editorial process that respects the creatorâs vision while delivering a layout that feels natural in book form. âYou can’t just cut up a webtoon and expect it to work in print. Each panel has to be rethought in context. Thatâs our job: to make it read like it was always meant for the page.â â Pierre Minne, printoonizer at MAKMA đŻ Who Needs Printoonize? For Publishers: Whether you’re a large-scale publishing house or a boutique manga label, Printoonize gives you a reliable way to convert licensed webtoons into printable books â without draining your in-house resources. We help you: Expand your catalogue with digital-first titles Meet growing demand for manhwa and webtoon-based print Ensure layout quality meets reader expectations For Webtoon Studios: If you’re producing webtoon series in-house, we offer a way to take control of the print adaptation process, without relying on third-party improvisation. With our service, you get: A professional layout team at your disposal A file you can send directly to your preferred printer Editorial consistency across volumes and series âWeâve worked with both indie creators and large publishers. In every case, weâre not just formatting â weâre editing. Our layouts carry the rhythm of the original work, adapted for a new medium.â â Edmond Tourriol, co-founder of MAKMA and creator of Z United đ ïž What We Deliver We provide press-ready, print-optimized PDF files formatted to your specifications. Our deliverables include: High-resolution files (300 DPI) Print dimensions to your request (manga size, US format, custom) Proper bleed, margins, and crop marks Rebuilt panel layouts with careful pacing and page flow Optional title page, credits, backmatter design Compatible with all major printers (offset and digital) We focus on delivering the best possible layout file, so you remain in full control of your production pipeline. 𧩠Our Process Brief & Assessment You send us the source material (JPG, PNG, or PSD files), desired page count, format specs, and any branding or editorial guidelines. Editorial Layout Design Our team analyzes the flow of your series and reconstructs it into a professional print layout â with pacing, readability, and visual impact in mind. Client Review You receive a first version for approval. Revisions and feedback are part of the process. Final Delivery We deliver a fully print-ready PDF, tested for professional printing, ready for your internal production or external printer. đ Trusted by Global Content Creators Printoonize is a service by MAKMA, a French studio with over 20 years of experience in comics and editorial design. Weâve worked with: Wattpad Webtoon (USA) Papertoon (Germany) Kamondo, Kotoon, Kbooks (France), and more We understand the standards of publishers, the urgency of studios, and the need for narrative respect in every adaptation. âWebtoons can absolutely work in print â but only if the adaptation respects the visual tone and pacing of the original. Thatâs what our layouts are built to do.â â Pierre Minne, print layout specialist đ© Request a Custom Quote Every project is different. We adapt to your needs, your schedule, and your specifications. Letâs talk about your next title. đ§ contact@printoonize.com đ +33 6 89 74 59 69 đ Based in Bordeaux, France â working worldwide â Printoonize â Bring Your Digital Stories to Print-Ready Life We donât publish. We make webtoons printable, and we do it with care, storytelling sense, and professional precision. Request your custom quote today.
Mon vĆu le plus sincĂšre in Print Manga Format: Author Kiri’s Enthusiasm
Mon vĆu le plus sincĂšre makes the leap from web to print thanks to studio MAKMA. The webtoon, written by webcomic author Kiri, has successfully made the leap from digital to print format, thanks to the creative support of MAKMA’s Printoonize service. Kiri speaks with genuine excitement about seeing her series reimagined in physical form and praises the work done by MAKMAâs team. The story follows Api Cramberry, a 20-year-old woman whose quiet life takes a dramatic turn when she meets Praince, a genie. He offers her one wishâbut rejects her first request for being too ordinary. With Praince’s help, Api embarks on a journey to discover her “most heartfelt wish,” a quest that could potentially disrupt the natural order of things. Author Kiri Shares Her Experience Asked about the adaptation process, Kiri shares her candid thoughts: “I didnât handle the print adaptation myselfâStudio MAKMA took care of everything. I got an early look at the pages, and theyâre absolutely stunning. And no, Iâm not just saying that to help promote the book! It felt surreal seeing the panels rearranged, especially since I didnât do the layout this time, but theyâre gorgeous. Honestly, it was hard to believe they managed to do this with my work.” Transitioning from digital to print came with a few adjustments. The first episodes had to be reworked to ensure visual consistency with the rest of the series. For example, Kiri switched from using a textured brush to a smoother one for the inking, creating a more cohesive look. Reflecting on her creative process, Kiri highlights the importance of visual consistency in the webtoon and how much she appreciated MAKMAâs layout work. Seeing her story take physical form is a brand-new and thrilling experience for her. From Web To Print Mon vĆu le plus sincĂšre is now available in print manga format, brought to life by Studio MAKMA. The care taken in layout and stylistic coherence played a key role in this successful transition from web to printâand Kiriâs enthusiasm for the printed version of her story is clear in every word she shares.
Interview with a Printoonizer: Pierre Minne
In this interview, we meet Pierre Minne, a printoonizer at MAKMA. He takes us into the world of printoonization, where he juggles comic book techniques to bring webtoons to life in print format. Pierre, to start off, could you tell us a bit about yourself? Pierre Minne: I’m 49 years old and I live in Toulouse. I’m married and a father of three. Pierre Minne, a Familiar Face Returns to MAKMA When and how did you first join MAKMA? Pierre Minne: I originally joined MAKMA back in 2003, right when it was founded. Before that, I was part of Climax Comics, an association created by Stephan Boschat and Edmond Tourriol, where I worked as a penciler and inker. When MAKMA launched, I transitioned from Climax Comics to MAKMA like many other artists at the time. I continued drawing and inking there until 2008, when I left to focus on creating my own comics. I did that until 2021. Then, in 2023 (yes, very recently), I knocked on the door again and Stephan gave me a shot at printoonization. Bryan Wetstein and Nathalie Spampinato are the ones teaching me the ropes. Can you tell us about your role at MAKMA? What does your job involve as part of the Printoonize team? Pierre Minne: I’m a printoonizer, which means I transform webtoonsâdesigned to be read on smartphonesâinto printed comic books. That requires both technical skills with graphic design software and a solid grasp (or willingness to learn) of comic storytelling conventions. Since I come from a traditional comic book background, that part is easier for me, but I still need to adapt to the specific codes of manga and manhwa, which are new to me. How long have you been working as a layout artist on printoonization projects? Pierre Minne: I started very recently, in April 2023. The work is intense and engaging. Nothing stands stillâevery new project brings something different. I’m constantly learning. Do you enjoy it? Pierre Minne: I love it. I’m right in my element: graphics, comics, storytelling. And since manga and manhwa are new territory for me, I’m diving into fresh styles of art, pacing, and narrative techniques. It sparks all kinds of ideas for my personal workâand when you feed a creative person, they’re usually insatiable. The Role of a Printoonizer Why is your work important in the printoonization process? Pierre Minne: Itâs the printoonizer who sets the tone and rhythm of the manga or manhwa. The way we arrange the panels guides the reader and immerses them in the story. Ideally, readers should keep turning the pages without even realizing it. Sure, the script and artwork are key, but bad pacing or storytelling can ruin the experience. Thatâs where my jobâand our whole teamâs jobâcomes in: we aim to keep the reader engaged, panel after panel. Can you tell us about some projects youâre proud to have worked on? Pierre Minne: Since Iâm still new to this, I donât have a huge list of projects yet. But Iâll start with the first one I handled: Les Chroniques du Disciple Dragon. That was a great learning experience. After that, I worked on Necromancer Survival, which had a totally different narrative approach. Switching between the two was a fun challenge. You canât use the same storytelling style for every series, which keeps things from getting repetitive. Right now, as Iâm answering these questions, Iâm working on The Advanced Player of the Tutorial Tower, which is being printoonized for the German market. Again, itâs a different storytelling styleâanother big challenge. A Comic Book Swiss Army Knife Do you see yourself continuing in this field at MAKMA? Pierre Minne: Based on everything Iâve said, I think itâs clear this work is driven by passion. Working in this field is no problem for me, but like many of the artists and writers at MAKMA, Iâm something of a Swiss Army knife. I can draw, ink, design, do web work, and Iâd love to apply those skills and even explore new ones. I think MAKMA can help me grow in that direction. For now, Iâm still training in printoonization, but who knows? In a while, I might be able to contribute in multiple areas at MAKMA. But letâs not get ahead of ourselves. You have to truly master one thing before moving on to the next. Thanks, Pierre, for taking the time to chat with us and for sharing your passion for comics and storytelling in the Printoonize department at MAKMA!
Printoonization: bringing webtoons to print
As the first European studio to specialize in webtoon adaptation, MAKMA launches Printoonize, its dedicated printoonization service. From web to print Printoonization is the process of converting a webtoon â a digital comic designed for vertical scrolling on smartphones â into a traditional print format. Originally developed for mobile reading, webtoons use a continuous vertical layout, often without traditional comic panels or pages. This makes their adaptation into books a creative challenge requiring editorial expertise, graphic design skill, and a strong understanding of both mediums. With the boom of webtoons worldwide, many creators are looking to extend the life of their work beyond the screen. A printed version offers new commercial opportunities and allows stories to reach bookstores, libraries, and comic book festivals. But this transformation isn’t just about cutting and pasting images. It involves rethinking the layout, adjusting pacing, sometimes redrawing panels, and ensuring the narrative flows naturally in a book format. A new life for digital comics By launching Printoonize, MAKMA responds to this growing demand. With over two decades of experience in comic book production and localization, the studio offers creators, publishers, and platforms a complete service to rework digital content into a print-ready format â while preserving the original artistic vision. Printoonization is not just a technical process. It’s a new way of giving digital comics a second life, creating a bridge between two worlds that are often seen as separate: online serialization and traditional publishing. For creators and rights holders, printoonisation offers the chance to expand audiences and multiply revenue streams â while readers get to rediscover their favorite stories in a new, tactile form.